/ 2003.7.30 HOON Ʃ
Director / ȯ (1442ȣ) / &: Yang Jeong-hwan, www.gugakcd.com
Cover Design / Musong
Manufactured by Whaeum 2003.9. Seoul, Korea

 

TOPCD-068
߱ݰ 5
Chung Hae-im Kayagum Piece 5

â(ʰ)2-(ͣ)
Male Kyemyeonjo Kagok (2)

1. ʻ뿱(ͣ)
Gyemyeonjo-Chosakdaeyeop 06:16
2. ̻뿱(ͣ)
Gyemyeonjo-Isakdaeyeop 08:48
3. 뿱(߲ͣ)
Gyemyeonjo-Samsakdaeyeop 06:14
4. ҿ(ͣ)
Gyemyeonjo-Soyong 05:55
5. () Eollong 05:55
6. () Pyeongrong 05:56
7. (ͣե) Gyerak 05:31
8. 뿱() Pyeonsak-daeyeop 04:27
9. () Eonpyeon 03:48
10. (ʰ) Taepyeong-Ga 06:16

߱ / - ϴб ǰ
Kayagum : Chung Hae-im - Professor of Korean Traditional Music at Kyungpook National University
Tel. 053)950-5674, Fax. 053) 950-5674, E-mail Address : hichung@bh.knu.ac.kr


ؼ

ѱ ڿٰ Ѵ. () 캼 ִ. ѷ 9 () (η) 1200 ä ڸ ̰ 9 12 ù ° () Ȳ() Ҵٰ Ѵ. ߾ Ÿ () Ų. ̸ 3Ͽ ϳ 8 () () ̸ 3Ͽ ϳ 6 Ʒ () ǰ ̷ ݺ 2/3 4/3 ϴ м͹(߲) հ 12 . 12 12() 12() شѴ. ̷ ڿ ׸ õ ڿ ä ⿡ Ҹ 翬 ڿ ̴.
ӵ Ÿ ô Ʈγ ٸ ϴ ΰ ƹ Ͽ Ʒȴٴ ̴. (ʰ) ̻뿱() ӵ ƹ 6ȸ Ͻ() Ҵٰ Ѵ. ⿡ Ű ƹ 3ȸ ӵ Ÿ. ƹ 1п 60ȸ ϸ ӵ 3ʷμ ̻뿱 ӵ ٴ ִ. ̷ ̷ ƹ ӵ Ƹ پѴ ڿ ̶ . () ϸ DZ () (), (), (), (볪), (ٰ), (), (), () Ǿ ִµ ̴ ȱ()-(), (), (), (), (), (), (), () dz(), ׸ () յȴ.
() 翡 â () Ѵ. Ǻ̴. 칰 簢 ¡ϴµ ⿡ 칰 ǿ ġϴ ó ۰ Ǵ ߾ӿ ġϿ Ͽ شϰ Ӿ ִ õ ̷ٰ ϴ ɿ ִ. 簢 ȿ , , , , ʹ, , ǥ, , , , , 12٣ ̸ Ÿ, ̸ ǥϰ, ǥ()̳ ǥ(), ߼ǥ() ǥϴ ȣ Ѵ. ׸ ࿡ 32, ࿡ 16 Ͽµ ⿡ 16 32 ڴ ±(п) (), 翡 (), 󿡼 ȱ() 1248163264 ϴ ϻ̹() ̰ 츮 ü ̷ ȣ ڿ ġ ӿ ִ. 16? ?6 (˵) ϸ ̷ ȿ() ڿ ġϴµ , , (߲) ִ. ߱ݸ κ ϴ ¡Ͽ ձ۾ Ÿ, غκ Ͽ ¡ϰ ġ Ѵ.
츮 () μӾ() . μӾ ΰε鿡 Ͽ ߻Ǿ Ϣ忡 Ͽ ɼǰ ־ ߻밡 19 ʾҴ. ̿ Ͽ ߻밡 ̰ ̳ Ǻ ̳ ޿ () ̴. ﱹ(߲) ϸ 츤 ߱ Ŷ 12 ߱ Ŷ Ͽ , , ߱, 뷡, ƴ. ģ 츤 12 󰡶(߾ʥԴ), ϰ(ʥԴ), (), ޱ(ӹ), 繰(ڨ), (ڨ), ⹰(߾ڪ), ϱ⹰(ڪ), ڱ(), ſ(), (), ̻() κ ƶ󰡾߱, 밡߱, ſ, ޱ, 繰, , Ծȱ, ߱ ̳ ̸ Ͽ £ ȴ. ׷ 츤?ڵ 츤Լ 츤 12 ϴٰ Ͽ 5 ٿ տ Ͽ! µ ̰ Ŷ () äõǾٰ Ѵ. Ͽ ᡯϴٴ  Ĵ뿡 ̶ š Ǵ š Ī Ǿٰ .
κ Ǿ ִ. DZ Ư¡ ε巯 Ÿ⺸ٴ ٸ DZ ȣ ߾ ̰ ̺ҷ(׵) ̺Һ() ſ鼭 ġ ʰ, 鼭 ǥϴ ϴ () ſ ǥ Ͽ ̿ ȭ ӿ ϰ ش. ̷ ſ ȸ(ߣ߾), ȸ(߾), (), (), Ÿ(), ʾ(), ʾ(), 帮(), ζ(ե), õ(), (ʰ), (ʰ), () ִ.

ô뿡 Ǹ 츮 ٽ ˳, ӿ  ϸ鼭 ̴.


(ʰ)

ôκ Եȴ. 뿱(ط)ߴ뿱()뿱() ط顤 -߰- ӵ Ʋμ 뿱 , ߴ뿱 (ʰ׵) , 뿱 ִ. ݽ(1680) ۱ݺ(1725-1776) ߴ뿱 뿱 , , ߲ ǰ, û𿡴 (), (), () ÷ǰ, ̸ ̻뿱() ߰(), (), ΰ() Ļǰ () () ĻǾ ѹ Ʋ ϼǾ. ֵǰ ִ 41 â() 25, ׸ â() 16 ְ () (ͣ) . ߿ â , ݿݰ(ͣ) µ ʻ뿱(), ̻뿱(), ߰(), (), ΰ(), 뿱(߲), ҿ(), (), (), (ե), () 11 Ǿ ְ (ͣ)! ʻ뿱(), ̻뿱(), ߰(), (), ΰ(), 뿱(߲), ҿ(), (), (), (ͣե), (), 뿱(), (ʰ) 13, ׸ ݿݰ(ͣ) ݿ() (ե) 2 26 Ǿ ִ. ⿡ °ϱ ϸ 166 ȴ.
߿ Ȳ(), (), (), (), () 5 Ȳ() Ǿ ְ, Ȳ(), (), (), () 4 Ȳ(ͣ) Ǿ ִ.
() ǹ ߱, Ź, ر, , Ǹ,  ߾ 5 뷡ϴµ 뿩(), , 2, 3, ߿(), 4, 5 Ǿ ִ. ׷ â ù  شϴ ʻ뿱 뿩 ſ ٽ ֵȴ. ٽ ϱ ܾ ̰ ϸ鼭 ȣ Ͽ ȭ ̷ κ̴. â ʻ뿱 1п 40 Ͽ ̻뿱 1п 20 ӵ Ͽ 뿱, ̸ 1п 70 ̷ ȴ. 򰡴 1п 30 Ѵ. ׷ ̻뿱 Ͽ ̻뿱 ģٰ ϰ ٷ ⿡ Ѳ ִ ̴.
̹ ݿ 뷡 ߱ݸ Ư ȴ. â Ǿµ .
߿ â Ȳ(), (), (), () 4+ (), 蹫() Ȳ(), (), () Ȳ Ǿ ִ.

ǹ ߱, Ź, ر, , Ǹ,  ߾ 뷡 θµ ̹ ݿ 뷡 ߱ݸ Ư ȴ.

â .

ʻ뿱()
û(ֺ) Ŵ ϱ(ϵ) ޿
ȣdz() ϰ
() ׷ ŵ 帮

̻뿱()
߻ Ƶ ƿ´.
ܳ ٸ Ȧ ()
󸶳 () 鸮

뿱(߲)
() () ܿ  Ƿ
ʸ() (͢ߣ) () Ŵ
()

ҿ()
帶 Ű dz Ҵ() ÷
Ȧ Ż() Ȧ ڽô ȿ ð Ű
Ȧ Ż() 밨Ÿ Ŵ 翡 ɷ

()
¹() ַ() 㿩
() () (߲)
θdzä() 㿩 ֱָ(Φйؼ)
Ƹ dz() ϳ

()
() () () ()Ͽ
Ѵ() () () () dzǰ()
dz() ()㿩 () ó
(۰) () źdz(ʰ) ̾ ϳ

(ͣե)
öѸ(?ة) () ް
õٰ() 㸮
(ߣ) Ѿ ϴ Ѱ(ʬ)
츮 () () ʸ 

뿱()
(٣ߣ) (ؿ) ûõ() ݺο(ݳ)̶
ź() 긳(ء)㿩 () ﰢ(߲)̿
() α()Ͽ ()δ
·泫(խߣ) ȣοռ() ݰǻ()̿
(Ѩ) ΰ() (ڸ)
Ƶ(ߣͳ)
ǰ򹮹(ήڪ) (ؿؿ) ()̷δ
dz() ¹ξ()Ͽ
Ȳdz(ӡ) ̺()Ŀ
ǵ()㿩 ȯ()鼭 ݱ(̭)̻

()
Ѽ() ڱ ߾ ġ Ÿ ̶
Ź ر () Ǹ () ()
Ⱦϻ(ߣ) Ϻ()μ 뱸(Ϸߣ)
(բ) (˰) ô(߲) ǰ
㿡 () () ·Ͽ
Ѽ() ݶ(յ) ȣ() ()
Ӱŷ() ϸ

(ʰ)
(̷) 򼺴() ()()δ
Ͽ()̿ ǰ()̷δ
츮 򼺴() ϳ

Interpretation of pieces

The kagok is the traditional vocal music of lyric poetry. This originated during the Koryeo Dynasty (918-1392) in Korea. Originally the kagok was divided into three kinds: Mandaeyeop (slow), Jungdaeyeop (moderate) and Sakdaeyeop (fast). Today only the Sakdaeyeop form survives. Currently there are 41 separate pieces of the kagok which are performed, 26 of which are male pieces and 15 female. Each piece is divided into major and minor forms (Ujo and Kyemyeonjo).

The Ujo piece is composed in the major 5-tone scale (Hwangjong , Taeju , Jungryeo , Imjong , Namryeo ) beginning on the note hwangjong. And the Kyemyeonjo piece is composed in the minor 4-tone scale (Hwangjong , Jungryeo , Imjong , Muyeok ) beginning on the note hwangjong. The special features of kagok are to be found in its dynamic expressions of vibrato, extensions, and so on. Originally the kagok was sung accompanied by a chamber ensemble of string instruments (kayagum, keomungo) and wind instruments (taegum, se-piri, haegum), and the hourglass drum (janggo). But in this recording the kayagum is used alone as a solo instrument and its special timbre faithfully presents the tone of the kagok.

б ǿ μ ǻ缺ҿ ߱ ϰ Ǿ ǰб б Ǵ ǰ, ׸ б п ǰ Ͽ.
߱ݵȸ ټ Ͽ ǰб 40 ߱Ĺǥȸ б Ǵ ǰ â 30ֳ 俬ȸ, ȿ ȫ ź100ֳ 俬ȸ, 97߱ݿ, 뱸, 뱸 MBC Ѹ, 뱸øǴ ۳ȸ , ׸ ̱, ij, ߱, þ, ؿܿ Ȱ Ͽ. , ְ, Ű ߱ݻ , ȫ ߱ݻ , ȸ ȯԿ , ࡯ ټ ǥϿ. ׸ ȫ ߱ݻ ȸ, ȸ, ߱CD Ͽ ȫ ߱ݻǺ Ű ߱ݻǺ ִ.

ϴб ǰ ϰ , 밡߰߱ݿִ , ƽþƱݱȸ ȸ, λ ȭ 8ȣ ȫ ߱ݻ ̼, 21 Ϲȸ ȭ, ϵ ȭ Ȱϰ ִ.

Chung Hae-im began studying Kayagum at the National Korean Music Intermediate School in 1970 and graduated from the National Korean Music High School. She then entered Seoul National University to continue her Korean Music studies, and then went on to complete her graduate degree at Seoul National University.
She has performed numerous solo Kayagum recitals, as well as being a featured invited performer at the Memorial Recital for the 40th Anniversary of the National Korean Music High School, the Memorial Recital for the 30th Anniversary of Korean Music at Seoul National University, the Centenary Memorial Recital for the Birth of Kang Taehong and the Kayagum historical ceremony, Daegu Municipal Korean music orchestra, among others. She has also performed overseas in the United State, Canada, China, Russia and England.

Currently she is Professor of Korean Music at Kyungpook National University in Daegu and the government-designated Kayagum Sanjo desciple of Master Kang Tae-hong (Pusan Intangible Cultural Asset No. 8), and special member of the Committee of North Kyeongsang Province Cultural Assets.